PORTAL

PORTAL is a twin apparition, an exercise in simultaneity that cuts across space, bridging two countries, two cities, two exhibition venues. Happening at once in Prague's Holešovická Šachta and Vienna's Clubclub, the show(s) run(s) in an odd parallel – a unity which bears the marks of a possible past split, a unity which always remains incomplete, false. Passing through the portal, we thus encounter colors and shapes that feel both alike and different: an entanglement of agents which observe each other from afar, nervously awaiting coalescence.

Exhibiting artists: Iris Fabre, Jakub Choma, Ulrike Johannsen,Teuta Jonuzi, Matyáš Maláč, Sebastian Mittl, Viktor Timofeev, Chin Tsao

Curators: Noemi Purkrábková & Daniel Hüttler 

Graphics: realitycongress & ver

 

Installation view

 

 

Ulrike Johannsen, Labour of Mourning (Tout etait un reve), 2021/23

Sebastian Mittl, Queuing for candy, 2018 

 

 

Sebastian Mittl, Queuing for candy, 2018

 

 

Ulrike Johannsen, Labour of Mourning (Tout etait un reve), 2021/23 Detail

 

 

Sebastian Mittl, Bear trap thought form, 2023

 

 

Chin Tsao, Ophalian, 2022

 

 

Installation view

 

 

Teuta Jonuzi, performance platform with drawing

Iris Fabre, How would they know, 2023 Detail

 

 

Teuta Jonuzi, performance platform with drawing

 

 

Teuta Jonuzi, It´s like when you hide under some blankets, the air becomes humid and the space around you is soft and malleable, like the bricks of a kind of imagination, 2023

 

 

Iris Fabre, Birds Hold On, 2023

 

 

Iris Fabre, Birds Hold On, 2023, Detail

 

 

Iris Fabre, They`re gonna know, 2023

 

 

Iris Fabre, How would they know, 2023 Detail

 

 

Matyás  Malás, Metamophosis (Ultimate Right), 2023

 

 

Jakub Choma, Metallic Aftertaste, 2023

Matyás Malás, Sick, 2023

 

 

Jakub Choma, Metallic Aftertaste, 2023

 

 

Matyás Malás, Sick, 2023

 

 

Viktor Timofeev, Maers; excerpt from a fictional game, 2016

Jakub Choma, Metallic Aftertaste, 2023 

 

 

Viktor Timofeev, Maers; excerpt from a fictional game, 2016

 

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